Blurb:
London
1891. Former criminal Ira Adler has built a respectable, if dull, life for
himself as a confidential secretary. He even sits on the board of a youth
shelter. When the shelter’s landlord threatens to sell the building out from
under them, Ira turns to his ex-lover, crime lord Cain Goddard, for a loan. But
the loan comes with strings, and before he knows it, Ira is tangled up in them
and tumbling back into the life of crime he worked so hard to escape. Two old
flames come back into Ira’s life, along with a new young man who reminds Ira of
his former self. Will Ira hold fast to his principles, or will he succumb to
the temptations of easy riches and lost pleasures?
Excerpt:
“So,”
Goddard said, taking a long sip from his glass. “You never told me why you
decided to contact me after all this time.”
“Well…”
As I searched for the right words, he quietly set his drink on the polished
wood floor. “It’s funny you should—”
The
kiss came as such a surprise that I scrambled backward across the divan and
almost tumbled over its rounded arm. Whiskey sloshed over the rim of my glass,
splashing silently onto the Chinese rug. What remained I belted back in one go
before setting the glass on the floor and wiping my shaking fingers on my
trousers.
It
wasn’t that I was averse to the idea of kissing him, but I really hadn’t
expected it. In fact, if I’d seen him start toward me in the first place—he was
remarkably quick for a man in his mid-forties—I’d have assumed he was going for
my throat.
Goddard
chuckled under his breath. “Sorry. Did I startle you?”
“You
might say that.”
I
was also taken aback by the presumption. I had always liked it when he took
control, and the hard, whiskey-flavored slickness of his mouth had left me
aroused. All the same, I was no longer his plaything. Part of me felt as if he
should have at least asked permission.
I
forgot my objections when he leaned in a second time, slowly, and cupped my
face in his smooth, muscular hands. Now that I was expecting it, the kiss felt
like coming home after a long, unpleasant journey. For just a moment, all of my
troubles dissolved, and nothing existed except his fingers in my hair, the
traces of his jasmine and bergamot cologne, and the smooth, familiar contours
of his mouth.
And
then as suddenly as he had moved in, Goddard pulled back, leaving me confused,
disappointed, and blinking in the gaslight and shadow.
“Why
did you come, Ira?”
“To
ask you for money,” I said.
I
know. I know. But every drop of blood in my head had surged to my cock, and I
found myself incapable of the higher functioning required for either diplomacy
or deceit.
Perhaps that had been the
idea.
Jess, thanks so much for
stopping by. So, how did you get started writing?
It was always
something I wanted to do, thought about doing, fiddled around with. Then one
day I noticed that almost every job I held, I would zip through the work as
fast as I could so that I’d have time to write stories at the end of the day.
When the chance came up to step into writing/editing full time, I took it.
What was the inspiration
for your book?
Turnbull House is the second book in the Ira Adler mystery series.
The title is the name of the youth shelter that Ira and his friends, Tim and
Bess Lazarus, founded at the end of the first book, The Affair of the Porcelain Dog. I wanted not only to follow these
characters forward a few years and see what became of their venture, but to see
how my main character—a former street tough—would fare in a completely alien
role: as a role model for disadvantaged youth. He did fine, but not without
some comic complications =)
What’s the one genre you
haven’t written in yet that you’d like to?
I’d love to write a
swords and sorcery story with a really kick-@$$ female hero.
Are there any genres you
won’t read or write in? Why?
I really don’t like
serial killer stories. They give me nightmares. I used to like horror when I
was a teenager, but that was before I’d become fed up with the cruelty and
violence that are always with us in real life. When I read, I won’t read anything
where the selling point is cruelty, violence, abuse, or gore. I won’t publish
it in my anthologies, either. There is some cruelty and violence in my
novels—though I don’t linger on it—and I do explore some of the dark underbelly
of the places my stories are set. However, it’s never there for its own
sake—there’s always a lesson in it for someone.
So, what are you working
on right now? Got any releases planned, or still writing?
I’m currently working
on Ira’s third book, Fool’s Gold,
which is slated for release in winter 2014/spring 2015. In this installment,
London spits Ira out completely, and he finds himself bound for California. I’m
having a great time playing with the conventions and clichés of the Western,
including a cattle stampede and a chase across the top of a moving train.
Several of the major, overarching plot questions will find resolution, and, as
always, Ira will be faced with a Life-Changing Decision.
Alright, now for some
totally random, fun questions. Favorite color? Rust
Favorite movie? Ghostbusters
Book that inspired you
to become an author?
Gosh, there were
so many. Nene Adams’s Gaslight series
inspired me to start writing in the Victorian period. Charlie Cochrane’s excellent Cambridge Fellows series helped me
learn how to write a solid mystery.
Alright, you have one
superpower. What is it?
Is immortality a
superpower? So many books, so little time!
You can have dinner with
any 3 people, dead, alive, fictitious, etc. Who are they?
#1 Jesus Christ. Such
a wonderful teacher with such important lessons that different teachers have
tried to impart at different times in history—almost always with the same cost
to themselves. I’d like to hear his take on what people are doing and saying in
his name today, in particular, and also to see if he has any ideas for the
practical application of the lessons of compassion and humility in society.
#2 Shirley Chisholm:
An amazing and inspirational woman who fought tirelessly her entire life for
education, equal opportunity, and economic justice for all. She achieved a
number of “firsts” as a woman, as an African American, and as an African
American woman. Her most important accomplishment, though, I think, was being
one of a handful of politicians who have ever really done anything positive,
useful and lasting for society.
#3 James Baldwin: one
of my favorite writers of all time, and probably the greatest American essayist
who has ever lived. His observations on human nature are trenchant and timeless.
His writing is eloquent and beautiful. He was taken to us far too early.
Last question: Which
of your characters are you most like and how/why?
Oh, goodness. I’m
afraid they all are. I’m a bit of a smart-mouth, like Ira Adler. I try to do
too much for too many people and then get irritable about it, like Tim Lazarus.
I can be deadly practical like Bess Lazarus, and am a bit of a libertarian like
Cain Goddard.
That’s all from me, thanks so much for taking the time to stop by!
Thanks for having me!
It’s been fun!
Jess will be awarding a
two-book set (paperback) of Turnbull House and its predecessor, The Affair of
the Porcelain Dog to a randomly drawn commenter between this tour and the NBtM Review Tour.
April
8: Books on Silver Wings
April 15: The Fuzzy, Fluffy World of Chris T. Kat
April 22: Beckstar Reviews
April 29: Beyond Romance
April 29 SECOND STOP: Wickedly Wanton Tales
May 6: Sharing Links and Wisdom
May 6 SECOND STOP: Reviews By Molly
May 13:Long and Short Reviews
May 20: Book Suburbia
May 20 SECOND STOP: Deal Sharing Aunt
May 27: Booklover Sue
April 15: The Fuzzy, Fluffy World of Chris T. Kat
April 22: Beckstar Reviews
April 29: Beyond Romance
April 29 SECOND STOP: Wickedly Wanton Tales
May 6: Sharing Links and Wisdom
May 6 SECOND STOP: Reviews By Molly
May 13:Long and Short Reviews
May 20: Book Suburbia
May 20 SECOND STOP: Deal Sharing Aunt
May 27: Booklover Sue
Author Bio and Links:
Jess
Faraday is the author of the Ira Adler mysteries and the standalone steampunk
thriller The Left Hand of Justice. She also moonlights as the mystery editor
for Elm Books.
Thanks for hosting!
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